Added support for left eye and right eye grades for the timeline node graph (Studio version).Shift Up + Next Still will now append grade from the current still on the advanced control panel (Studio version).Swapping nodes now also swaps the node labels.The ‘displayed’ node graph now automatically updates when the current still is changed.Next node and previous node operations now loop around the node graph.Added ability to align keyframe timelines of color grades using playhead position and wiped still frame.Added ability to apply grades from a reference wipe using the viewer context menu.Improved listing of attached and timeline mattes in the node graph with support for alphabetical listing.

Improved performance for Spatial Noise reduction in Better mode.Added support for box wipe mode for offline reference wipe.Improved consistency of edit functions when Timeline is in full-screen mode.Added the ability for clips to snap to their own markers when adjusting In and Out points.Added ability to import and export duration markers using EDL.Added menu items to allow selection of clips based on Flag, Marker and Clip colors on the edit timeline.Improved 2-up and 4-up, Multicam and playback performance when using QuickTime ProRes on Windows.So for those of you who love to consume your information in the form of bullet points, you’re about to be very, very happy. There’s a ton more ground to cover in the 12.5.1 update. It’s also the reason that so many people prefer to use optimized media when doing edit and colorwork in Resolve. The other welcome feature in this DaVinci Resolve update is improved playback and trimming performance with h.264 media, which is one of the places where Resolve is particularly laggy, especially if you’re working on a slower computer. This is what led to Adobe’s latest update with native ProRes support, and now Resolve is there as well. Ever since Apple decided to ditch support for QuickTime 7 on the Windows platform, post-production professionals and software companies alike have been scrambling to find new ways to work with industry-standard QuickTime codecs like ProRes. Though this update is pretty wide-ranging and includes significant updates for every part of the software, the feature that stands out most native decoding of ProRes files for Resolve users on a Windows machine. On Thursday, Blackmagic Design dropped a whopper of a mid-year DaVinci Resolve update, one that should make Window’s users in particular quite happy.

Davinci resolve update media